Compact, lightweight and well-balanced for handheld and stabilizer systems
Length: 30 cm / 11.8”
Front diameter: 114 mm (same as Signature Primes)
Weight: 3.7 kg / 8.2 lbs.
Close focus: 65.6 cm / 25.8"
Name speaks for itself – not only is the Masterpiece most powerful RGBW light that you have ever tried, but it also has whole range of intuitive features and effects that will fulfil even those needs that you didn’t know you’ve had. Strength of 2800W, interchangeable optical lens, wireless DMX built in, over 40...
he ILME-FX3 leverages technology from Sony’s industry-leading VENICE cinema camera and marries it with the best of Sony’s innovative Alpha mirrorless camera technology. It features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. Leveraging the colour science of VENICE,...
The Hi-5 provides remote camera setup capabilities for ARRI and third-party cameras. ARRI camera control is pre-installed and included at delivery.
Four Advanced Licenses announced :
Camera control for RED
Camera control for Sony
Cine RT support (Focusbug)
1x Hi-5 Hand Unit
1x Bluetooth Dongle
1x Blank Smart Focus Ring
1x RF-EMIP Radio Module 2400MHz DSSS
2x LBP-3500 Battery
1x LBP Charger
VENICE 2 features one of two 36 x 24‑mm full-frame image sensors, designed speciﬁcally for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original...
FUJINON – Premista 80-250mm T2.9-3.5 Zoom Lens:
The Premista 80-250mmT2.9-3.5 is a telephoto zoom lens with a focal length of 80-250 mm. It achieves an impressive optical quality and suppresses unwanted stray lights and shadows.
The Premista80-250mm can be combined with the Premista28-100mm to form a kit that covers the most commonly used focal length between...
The Premista 28-100mm, the first of the series to hit the market, is a standard zoom lens with a focal length of 28-100mm. This corresponds to 6 prime lenses * 1, which saves both money and time by frequently changing the lenses. Thanks to the use of an aspherical lens with a large diameter...
In film technology, filters have always helped camera operators to design their films. They have continually been a very useful device to create an unique and outstanding look. Now, IB(E Optics offers a number of new Optical Filters that can design the most diverse flares in backlight and therefore provide a helpful tool for...
The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.
Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too...
A native image is always closer to reality than a digital image. The DENZ OIC FF is the first choice on set or location, where an optical viewfinder for full frame is concerned. The OIC FF is switchable from spherical to anamorphic with de-squeeze factors of 1.5, 1.8 and 2.0 available and others upon...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).
Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you...
Orbiter technical drawing
42 mm / 1,66", without optics
80° Half Peak Angle, without optics
Fixture only: 11,7 kg / 25.8 lbs
Manual Version: 14,2 kg / 31.3 lbs
Pole Op Version: 14,9 kg / 32.9 lbs
Aluminum yoke with quick release, high strength tilt lock, pole operation option (pan and tilt)
ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus – all in a small, light-weight package.
ZEISS Supreme Prime Radiance...
Nach dem enormen Erfolg der Titan Tube stellt Astera im Sommer 2019 die 2 Meter lange Hyperion Tube vor. Sie verfügt über die doppelte Anzahl LEDs, Akkuzellen, Heiligkeit und Pixel und bietet den die gleichen hochqualitativen Farben und Weißtöne und die gewohnte Steuerung mit App, CRMX und verkabelter DMX Option.
-9m x 6m Hohlkehle mit 4,5m höhe
-Vorhang wahlweise schwarz, blau, grün entlang der Hohlkehle
-Vorhang schwarz rundum
-6 Motoren mit je 650kg Last
Aufenthaltsraum /Regie (Klimatisiert)
The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data...