Sony FX3 kamera

he ILME-FX3 leverages technology from Sony’s industry-leading VENICE cinema camera and marries it with the best of Sony’s innovative Alpha mirrorless camera technology. It features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. Leveraging the colour science of VENICE,...

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ARRI HI-5 Wireless control unit

The Hi-5 provides remote camera setup capabilities for ARRI and third-party cameras. ARRI camera control is pre-installed and included at delivery. Four Advanced Licenses announced : Camera control for RED Camera control for Sony Cinefade support Cine RT support (Focusbug) Package contains: 1x Hi-5 Hand Unit 1x Bluetooth Dongle 1x Blank Smart Focus Ring 1x RF-EMIP Radio Module 2400MHz DSSS 2x LBP-3500 Battery 1x LBP Charger 1x...

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Creamsource Vortex 8

Creamsource Vortex8 Specs Creamsource Vortex 8 Abmessungen 690 x 380 x 121mm / 27.2" x 15" x 4.8" (ohne Yoke) Kopfgewicht 13.7kg / 30lb Schutzklasse IP65 Abstrahlwinkel nackt 20° Maximal zulässige Umgebungstemperatur 40°C Creamsource Vortex 8 Merkmale Eine hochwertige, leistungsstarke 2×1...

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Sony Venice 2

VENICE 2 features one of two 36 x 24‑mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original...

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ARRI Alexa35

Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array 4608 x 3164 27.99 x 19.22 mm / 1.102x 0.757" Ø 33.96 mm / 1.337" ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps ARRIRAW 4K 16:9 - 4K: 55 / 120 fps ARRIRAW 4K 2:1 - 4K:...

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FUJINON Premista 80-250mm T2.9-3.5 Zoom Lens

FUJINON – Premista 80-250mm T2.9-3.5 Zoom Lens: The Premista 80-250mmT2.9-3.5 is a telephoto zoom lens with a focal length of 80-250 mm. It achieves an impressive optical quality and suppresses unwanted stray lights and shadows. The Premista80-250mm can be combined with the Premista28-100mm to form a kit that covers the most commonly used focal length between...

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FUJINON Premista Zoom 28-100mm T2.9

The Premista 28-100mm, the first of the series to hit the market, is a standard zoom lens with a focal length of 28-100mm. This corresponds to 6 prime lenses * 1, which saves both money and time by frequently changing the lenses. Thanks to the use of an aspherical lens with a large diameter...

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IBE Effect Filters

In film technology, filters have always helped camera operators to design their films. They have continually been a very useful device to create an unique and outstanding look. Now, IB(E Optics offers a number of new Optical Filters that can design the most diverse flares in backlight and therefore provide a helpful tool for...

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ARRI Signature Zoom Lens T2.8 45-135mm

Compact, lightweight and well-balanced for handheld and stabilizer systems Length: 30 cm / 11.8” T-stop: T2.8 Front diameter: 114 mm (same as Signature Primes) Weight: 3.7 kg / 8.2 lbs. Close focus: 65.6 cm / 25.8"

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COOKE Anamorphic/i Full Frame Plus 1,8x

The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too...

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Denz OIC FF - Motivsucher/Director's Viewfinder

A native image is always closer to reality than a digital image. The DENZ OIC FF is the first choice on set or location, where an optical viewfinder for full frame is concerned. The OIC FF is switchable from spherical to anamorphic with de-squeeze factors of 1.5, 1.8 and 2.0 available and others upon...

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Cooke S7/i T2.0 Full Frame Plus Primes

The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you...

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ARRI Orbiter

Orbiter technical drawing Optical System Changeable optics Light Aperture 42 mm / 1,66", without optics Beam Angle 80° Half Peak Angle, without optics Weight Fixture only: 11,7 kg / 25.8 lbs Manual Version: 14,2 kg / 31.3 lbs Pole Op Version: 14,9 kg / 32.9 lbs Handling Aluminum yoke with quick release, high strength tilt lock, pole operation option (pan and tilt) Mounting 28...

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Zeiss Supreme Radiance T1.5: 21/25/29/35/50/85/100mm

ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus – all in a small, light-weight package. ZEISS Supreme Prime Radiance...

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Astera Hyperion Tube 2m

Nach dem enormen Erfolg der Titan Tube stellt Astera im Sommer 2019 die 2 Meter lange Hyperion Tube vor. Sie verfügt über die doppelte Anzahl LEDs, Akkuzellen, Heiligkeit und Pixel und bietet den die gleichen hochqualitativen Farben und Weißtöne und die gewohnte Steuerung mit App, CRMX und verkabelter DMX Option.

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KLT Rental Studio

-120qm Studiofläche -9m x 6m Hohlkehle mit 4,5m höhe -Vorhang wahlweise schwarz, blau, grün entlang der Hohlkehle -Vorhang schwarz rundum -6 Motoren mit je 650kg Last Maskenraum (Klimatisiert) Garderobenraum (Klimatisiert) Aufenthaltsraum /Regie (Klimatisiert)

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ARRI Signature Primes

The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data...

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ARRI Alexa Mini LF

ARRI Alexa Mini LF Im Verleih bei Kameraverleih Licht und Ton, KLT Rental. Die ARRI ALEXA Mini LF kombiniert den kompakten Bau der ALEXA Mini mit dem großformatigen ALEXA LF-Sensor. Die Mini LF bietet beste Bildqualität und Flexibilität für groß angelegte Drehs dank 3 eingebauten, motorisierten FSND-Filtern, 12 V Spannungsversorgung, zusätzlichen Power-Outputs, einem neuen Codex Compact-Drive...

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SONY FXW-FX9 kamera

Der 6K-Vollformatsensor der Kamera ermöglicht erstklassige Aufnahmen in den Auflösungen DCI 4K*, Ultra HD und HD. Die leistungsstarke Bildverarbeitung mit Debayering und Oversampling gewährleistet eine Bildqualität, die über die Grenzen herkömmlicher Super-35-mm-Sensoren hinausgeht. Der rückwärtig belichtete CMOS-Bildsensor nutzt außerdem die Exmor R-Technologie von Sony, um Empfindlichkeit und Rauschunterdrückung zu verbessern. Im Vergleich zu einem...

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Sony FX6 kamera

The Sony FX6 provides cinematic expression to professional filmmakers and freelancers of tomorrow. With a light and modular body, it seamlessly adapts to your style of shooting without compromising on video quality. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800...

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