Aputure Storm CS32

The Best Tunable White Light The white light output of the STORM CS32 rivals the quality of true tungsten light and natural daylight, allowing critical lighting of faces, products, and any subjects that require the best tunable white spectrum. The STORM CS32 uses the latest generation of our BLAIR-CG With Extended Red light engine, with...

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ARRI Alexa 35 Xtreme camera

Complementing ALEXA 35 Xtreme and included with both the Base and Premium models is ARRICORE, ARRI’s next-generation RGB codec. Designed to deliver the camera’s exceptional image quality at a more accessible cost by reducing data rates, ARRICORE also provides flexibility in post, since sensitivity, white balance, and tint are not baked in. Switching to ARRICORE...

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Aputure STORM XT52

Overpower daylight with the most powerful point source LED fixture in the industry, with both tunable white and color capabilities.

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STORM 80c 3-Light Kit

The Aputure STORM 80c 3-Light Kit is an all-in-one professional lighting toolkit—three STORM 80c lamps featuring the BLAIR-CG light engine, Hyper Reflectors, CF4 Fresnels with Barn Doors, Mini Lantern Diffusers, the Light Dome 40 Diffuser, Bowens Adapter, Handheld Bracket, battery cables, and mounting clamps, all in a hard-shell rolling case.

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COOKE Anamorphic/i Full Frame Plus 1,8x

The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too...

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Denz OIC FF - Motivsucher/Director's Viewfinder

A native image is always closer to reality than a digital image. The DENZ OIC FF is the first choice on set or location, where an optical viewfinder for full frame is concerned. The OIC FF is switchable from spherical to anamorphic with de-squeeze factors of 1.5, 1.8 and 2.0 available and others upon...

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Cooke S7/i T2.0 Full Frame Plus Primes

The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you...

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ARRI Orbiter

Orbiter technical drawing Optical System Changeable optics Light Aperture 42 mm / 1,66", without optics Beam Angle 80° Half Peak Angle, without optics Weight Fixture only: 11,7 kg / 25.8 lbs Manual Version: 14,2 kg / 31.3 lbs Pole Op Version: 14,9 kg / 32.9 lbs Handling Aluminum yoke with quick release, high strength tilt lock, pole operation option (pan and tilt) Mounting 28...

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Zeiss Supreme Radiance T1.5: 21/25/29/35/50/85/100mm

ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus – all in a small, light-weight package. ZEISS Supreme Prime Radiance...

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Astera Hyperion Tube 2m

Nach dem enormen Erfolg der Titan Tube stellt Astera im Sommer 2019 die 2 Meter lange Hyperion Tube vor. Sie verfügt über die doppelte Anzahl LEDs, Akkuzellen, Heiligkeit und Pixel und bietet den die gleichen hochqualitativen Farben und Weißtöne und die gewohnte Steuerung mit App, CRMX und verkabelter DMX Option.

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KLT Rental Studio

-120qm Studiofläche -9m x 6m Hohlkehle mit 4,5m höhe -Vorhang wahlweise schwarz, blau, grün entlang der Hohlkehle -Vorhang schwarz rundum -6 Motoren mit je 650kg Last Maskenraum (Klimatisiert) Garderobenraum (Klimatisiert) Aufenthaltsraum /Regie (Klimatisiert)

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ARRI Signature Primes

The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data...

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SONY FXW-FX9 kamera

Der 6K-Vollformatsensor der Kamera ermöglicht erstklassige Aufnahmen in den Auflösungen DCI 4K*, Ultra HD und HD. Die leistungsstarke Bildverarbeitung mit Debayering und Oversampling gewährleistet eine Bildqualität, die über die Grenzen herkömmlicher Super-35-mm-Sensoren hinausgeht. Der rückwärtig belichtete CMOS-Bildsensor nutzt außerdem die Exmor R-Technologie von Sony, um Empfindlichkeit und Rauschunterdrückung zu verbessern. Im Vergleich zu einem...

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Sony FX6 kamera

The Sony FX6 provides cinematic expression to professional filmmakers and freelancers of tomorrow. With a light and modular body, it seamlessly adapts to your style of shooting without compromising on video quality. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800...

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Angénieux Zoom EZ-3 45 - 165 mm T2.3/T3 S35 and 68 - 250 mm T3.5/T4.5 FF

The EZ-3 lens is the new Tele-lens addition to the versatile, future proof Angénieux EZ series. Based on the same philosophy as EZ-1 and EZ-2, the EZ-3 is a compact and affordable cinestyle zoom lens. It also includes improvements such as a quick IRO Technology® mechanism and dual focus scales (feet-meters). The new Tele zoom 45 - 165...

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